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Katatonia - Dethroned & Uncrowned (2013)
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[url autourl=1537508779 nofollow=1][/url autourl=1537508779 nofollow=1]
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Sweden / Stockholm


Doom/Death Metal (early), Depressive Rock/Metal (later)

No matter how brightly the sun shines, sorrow will always cast its ageless shadow across the human soul. Expressing that eternal sadness is an art in itself, and over the last two decades, Sweden’s masters of melancholy Katatonia have firmly established themselves as the most passionate and skilful exponents of the form.

Formed by vocalist/drummer Jonas Renkse and guitarist Anders Nyström in Stockholm in 1991, the band emerged from the amorphous maelstrom that was the nascent death/doom metal scene; a darker, more emotionally resonant sibling to the ongoing extreme metal world, and one that offered a new and more humane perspective on life’s darker days.

The band’s first releases, the Jhva Elohim Meth…The Revival EP and debut album Dance Of December Souls may have seemed to draw from the same set of influences that inspired like-minded bands across the North Sea like Paradise Lost and My Dying Bride, but by the time Katatonia arrived at 1996’s Brave Murder Day (which featured guest vocals from Opeth’s Mikael Åkerfeldt), the band had already begun to plough their own tearful furrow.

“Initially we had no masterplan,” says Renkse today. “All we wanted was a band of our own, as we were totally devoured by the death and doom metal scene that was happening. It wasn’t until later that we could actually carve out our own space and see things with a broader perspective. Katatonia has become a philosophy, at least for ourselves, since it is pretty much all we have. It’s dark and personal music and lyrics, no matter what the environment around us.”

In 1998, Katatonia released Discouraged Ones, an album that saw them step away from more traditional doom-laden atmospheres into an increasingly distinctive sonic world. Incorporating a wide variety of influences, from gothic rock to dark folk, the band’s evolution was gathering pace and their songwriting was maturing accordingly. With Jonas Renkse stepping away from the drum stool to focus on his role as vocalist, the Katatonia sound became more focused and intense on 1999’s Tonight’s Decision; a bravura collection of downbeat hymns to the void that set the tone for the new decade that followed.

“Most of our evolution has occurred naturally,” explains Renkse. “We started as Paradise Lost fanboys, but now I think we have a different sound, something we have crafted over the years. With every new album we try to push the boundaries of songwriting and expand the concept of Katatonia without abandoning our foundation and roots.”

As the 21st century has progressed, Katatonia have become one of the most revered and cherished of all bands in the modern heavy music firmament. Through extensive touring and a steady stream of superlative studio releases, including 2001’s classic Last Fair Deal Gone Down and its coruscating 2003 follow-up Viva Emptiness, the Swedes have spread their baleful gospel across the globe, refining and redefining themselves with every step into new territory. With 2006’s The Great Cold Distance and, in particular, 2009’s universally acclaimed Night Is The New Day, Katatonia have stretched beyond their roots in the metal scene and drawn in fans from all across the musical spectrum, not least in the progressive rock realm that has also embraced peers like Opeth and Anathema in recent times.

In August 2012 the band released Dead End Kings, their ninth studio album and their most successful to date. The album marked another step in this journey towards a more progressive sound.

Dead End Kings was recorded with a new line-up, in which Renkse and Nyström were joined by guitarist Per Eriksson, bassist Niklas Sandin and drummer Daniel Liljekvist. Together they created a rich, adventurous and endlessly evocative masterwork that exhibits all the Swedish quintet’s established traits while absorbing countless fresh ideas into that monumental sonic brew.

“Dead End Kings represents progression and taking things to the next level,” concludes Renkse. ”The writing was a little more intense and spontaneous for this one. I think that’s the biggest difference. But it was made with the same mindset as the last few albums. It just had a little more fire involved. We don’t want to repeat ourselves. We are still hungry for new music.”The band return in September 2013 with Dethroned and Uncrowned, their first album for Kscope, the sister label to Peaceville, the band's home for the past 14 years. Dethroned and Uncrowned allows them to explore the progressive elements of Dead End Kings further as they have reworked the album, creating new moods and textures while still staying truthful to the core of the songs.Guitarist and founding member Anders Nyström explains how the band have revisted the album, ‘the synopsis is simple and album title won’t lie; the drums will be dethroned and the distorted rhythm guitars will be uncrowned! Instead, we’ll place the emphasis on the many layers of ambience, with the melodies staying central and the vocal harmonies representing the heart of the album.'

[color=#FF0000]Line Up:[/color]

Anders "Blakkheim" Nyström     Bass, Keyboards (1991-1993), Guitars, Programming, Vocals (backing) (1991-present) - See also: Bloodbath, ex-Diabolical Masquerade, ex-Bewitched    
Jonas Renkse     Drums (1991-1998), Vocals (lead), Guitars, Keyboards, Programming (1991-present) - See also: Bloodbath, Wisdom of Crowds, ex-October Tide    
Daniel Liljekvist     Drums, Percussion (1999-present) - See also: Komotio    
Niklas "Nille" Sandin     Bass (2010-present) - See also: Chaosys, Dark Eden (live), ex-Amaran, ex-Life Eclipse, Aoria, ex-Lamia Antitheus, ex-Shadows Past, ex-Siebenbürgen    
Per "Sodo" Eriksson     Guitars (2010-present) - See also: 21 Lucifers, Bloodbath, Komotio, ex-Genocrush Ferox


Rehearsal     Demo     1991     
Jhva Elohim Meth     Demo     1992     
Rehearsal 92     Demo     1992     
Jhva Elohim Meth... the Revival     EP     1993     
Dance of December Souls     Full-length     1993     
For Funerals to Come...     EP     1995
Primordial / Katatonia     Split     1996     
Brave Murder Day     Full-length     1996     
Katatonia / Hades     Split     1996     
Sounds of Decay     EP     1997     
Saw You Drown     EP     1998     
Discouraged Ones     Full-length     1998     
Tonight's Decision     Full-length     1999     
Teargas     EP     2001     
Last Fair Deal Gone Down     Full-length     2001     
Tonight's Music     EP     2001     
Viva Emptiness     Full-length     2003     
Brave Yester Days     Compilation     2004     
The Black Sessions     Compilation     2005     
My Twin     Single     2006     
The Great Cold Distance     Full-length     2006     
Deliberation     Single     2006     
July     Single     2007
Live Consternation     Live album     2007     
Night Is the New Day     Full-length     2009     
Day and Then the Shade     Single     2010     
The Longest Year     EP     2010     
Buildings     Single     2012     
Dead End Kings     Full-length     2012     
Lethean     Single     2012     
Introducing Katatonia     Compilation     2013     
Last Fair Day Gone Night     Live album     2013     
Dethroned & Uncrowned     Full-length     2013     

[color=#FF00FF] [b] Katatonia - Dethroned & Uncrowned (2013) [/b] [/color]




[color=#FF00FF][b]Year[/b] : 2013
[b]Style[/b] : Depressive Rock , Heavy Metal
[b]Country[/b] : Sweden
[b]Audio[/b] : 320 kbps + all scans
[b]Size[/b] : 130 mb[/color]


1.     The Parting     04:51     
2.     The One You Are Looking for Is Not Here     03:58       
3.     Hypnone     04:12     
4.     The Racing Heart     03:25       
5.     Buildings     03:23     
6.     Leech     04:17     
7.     Ambitions     04:30     
8.     Undo You     04:52       
9.     Lethean     04:05       
10.     First Prayer     04:18     
11.     Dead Letters     04:15

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